Arts, sport and pushing back against fear

1-hakawati-team-and-ntopI could kick myself that I’m too late to get a seat for Hakawati, right, National Theatre of Parramatta’s show currently part of Sydney Festival. On the other hand who could begrudge NTofP‘s sold-out success at El Phoenician Restaurant-Bar and the enthusiastic reviews? Hakawati draws on ancient Arabic traditions of entertaining through story telling while sharing a meal, at the same time offering insight into contemporary issues with a powerful western Sydney twist. The show has proved so popular that a return season is planned for later in the year. Click on this link for notification of dates when they are advised..

I was more successful in booking for Champions, at Carriageworks, this week, where the skills of contemporary dance and soccer collide. Directed by Martin del Amo, assisted by Miranda Wheen, Champions tells the story of an all female soccer team and their preparation and performance in a drama filled match. Blurring the boundaries between the elite skills of 1-1-champions-form-dance-projects-photo-by-heidrun-l_hr-webdance and sport, the team worked with coaches and athletes from Western Sydney Wanderers. Channel Seven sports presenter Mel McLaughlin provides analysis and commentary in the show. If Champions, left, has anything like the qualities of previous Form Dance Project productions, including the linked Dance Makers Collective’s Dads, last November, it will be enthralling, thought provoking and highly entertaining.

Providing background to my thoughts about these and many other productions engaging western Sydney artists are the heartfelt observations of two such creatives shortly before Christmas. The first is Aanisa Vylet (below right preparing for Daisy Moon Was Born This Way to be produced by The Q at The Joan, Penrith in 2017, photo by Alana Dimou) – gifted actor, director, adventurous and generous spirit. That’s also Aanisa in the bottom right hand corner of the Hakawati photo above, where she has been dramaturge to the production. On December 21, she posted on her blog Secrets : From one artist to another. Do read it.

aanisa-daisy-moon-q-2017-photo-alana-dimou“I feel like we are living in a very unpredictable and frightening political landscape. I have had this idea sitting in my chest: to write a blog of secrets and tips that I would whisper to a fellow artist…to offer support. So these are some values and strategies that have kept me going as an actress, artist and outsider for the last 11 years . . .”

I’ll leave you to read the 10 points for yourself, but her final note is illuminating. “I will share one last secret…at the beginning of this year, I told myself – “Ok, so this is your last chance to be an actress/artist, you need to give it your best shot and if you don’t land something and if your play turns to shit – you need to find another career and accept it. This is your last shot. NO HOLDING BACK.

“I have not had the time to write a blog this year because I have been overwhelmed by the abundance of what I have experienced. I still had moments where I was  afraid, mistrustful of myself and of the the world at large. What if I eliminate all fear?”

1-natalie-dec-2016On a related theme are the writings of passionate community activist and creative entrepreneur, Natalie Wadwell, left. Natalie is concerned that the arts are not valued in the community in the same way as sport and yet their contributions to physical and mental skills, imagination, social cohesion and much more have many features in common. She wants to see more artists of all disciplines engage directly with communities, take courage in forging their own pathways and enlarge our understandings of our shared humanity.

She is continually putting her words into action. With her colleague Lucinda Davison, they have established a website State of the Arts. It has a big vision – “It aims to bring together creatives, art writers, performers, musicians and art organisations to investigate, engage and promote the diversity of creative initiatives and cultures. From the northern plains to the southern basin of NSW, including Greater Western Sydney and the ACT, State of the Arts will be a guide from country to coast.” Now they are advertising for help in developing their website.

natalie-web-developerState of the Arts web developer [PAID OPPORTUNITY]
Help State of the Arts refine our platform and shape new features to be launched in April 2017. Live, work or playing across Western Sydney or Regional NSW is not essential, but desirable (we want to support local).
If you or a mate you would highly recommend is interested send us an email with the subject line ‘I can web, mate,’ and three samples of recent work.”

Like so many others, Aanisa and Natalie are determined to push back agains the clouds of fear constantly under discussion in mainstream and social media. Working collaboratively, talking openly and honestly about concerns and sharing explorations towards better understanding are just some of their tools. Fear can engender more fear which just ends in paralysis. I love the Bernard Shaw line famously only half quoted by Prime Minister Malcolm Fraser in the 1970s, “Life wasn’t meant to be easy . . .  my child, but take courage: it can be delightful.”

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